Open Processes at Watters Gallery, February, 1977: developed and produced and installed the video system.

Took part in Video Spectrum, at Latrobe University, Melbourne, September, 1977.

Produced Vide0zone at the Ozone Cinema, Paddington Town Hall, July, 1978.

Video Tapes from Australia: Curated by Bernice Murphy and myself. I did the actual curating, gathering the works and prepared the catalogue. Bernice Murphy was executive producer. This exhibition toured North America in 1979-80, being shown at the Kitchen in New York, Video Free America in San Francisco, LAICA in Los Angeles and the Video Inn in Vancouver, Canada. I travelled with the exhibition, installing the show and speaking about it at each venue. Subsequently it was presented as Project 30: Some Recent Australian Videotapes at the Art Gallery of NSW and it was also presented at the Venice Biennale 1980.

Permutations/Portraits an interactive video synthesiser work shown at the Biennale of Sydney,1982

Took part in Future Imagery at Metro TV, July, 1982, where I showed my main video synthesiser. A live-in-the-studio recording with the electronic band Severed Heads was a main feature of the day.

Took part in Scanlight: New Developments in Video Art, at the Australian Centre for Photography, 1985.

Took part in Video Now at Australian Centre for Contemporary Art, Melbourne, 1985.

Chasing Skirt an interactive video installation by Severed Heads at the Biennale of Sydney, 1988. Also in the Melbourne (NGV) tour of the Biennale. Later shown at Video Positive '91, Liverpool, UK.

Numerous Severed Heads performances and tours both in Australia and overseas (North America and Europe). 1984 - 1991.

Feeding Back, a video installation included in the exhibition Post-Code, curated by Dennis Wilcox for Performance Space, 1994.

The Brain Project Forums, Performance Space, August, 1996. These were five days of discussions I led covering the topics of the Brain Project research.

The Reading Machine: Towards the realisation of Charles' and Ada’s future. A Brain Project installation at ArtSpace, Sydney, July 2 - 25, 1998. The Reading Machine was also a finalist in the National Digital Art Awards, 1999 and was shown at the IMA, Brisbane, Oct. 15-30, 1999.

Synthetics: The History of the Electronically Generated Image in Australia, A 2 day Symposium curated by Stephen Jones, for dLux Media Arts, presented at the PowerHouse Museum, Sydney, July, 1998.

Images from the Brain Project, Gallery East, Clovelly, NSW. 19-28 February, 1999.

A Severed Heads Retrospective: 4 short video pieces about how some of Severed Heads' video clips were made, commissioned for the Universal Machine at the PowerHouse Museum, Sydney, 1999

Momiji: An Autumn Dialogue between Sandy Edwards and Stephen Jones, Gallery East, Clovelly, NSW, May 3-13, 2001. For which I produced a set of scrolls with stories of my time in Japan (in 2000)

The Reading Machine + 6 digital prints in Intersections of Art and Science at Ivan Dougherty Gallery, College of Fine Arts, UNSW, Paddington, NSW, June 7 - July 14, 2001.

Constructed Memories at Stills Gallery, Sydney, May 28 – June 28, 2003 large scale digital photo collages constructed as scrolls and presented in a site specific manner.